Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When Fiona wakes up in the hospital, unaware of the events that had transpired and resulted in her being hospitalized, she feels abandoned by her family and all around her. She lashes out at Anna who is forced to reveal the horrifying truth. Written by Wanjiru Njendu
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
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