Kill Bill: Volume 1 Review
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

Ahmet is married to Sevgi who runs a hair salon in town and their marriage has not been on track for some time. Ahmet suspects his wife has been cheating on him. Ahmet’s in secure and anxious state reaches its peak when he notices a foreigner in town. One midnight, at an old gas station out of town… Mehmet’s phone rings. Ahmet is at the end of the line, panicked and in fear. Mehmet realizes that he has no choice to help his brother. In this long and dark night, the two siblings unexpectedly find themselves in the middle of a homicide they have committed.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.