Miguel’s life has stalled since his wife left him. Everyone, except him, is aware that she will not return. On the other hand, Camila, her adolescent daughter and withdrawn, navigates aimlessly in a love triangle between her best friend and a singular skater.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
A family comedy that combines fantasy and normal school life.
