“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."

Three girls who have known each other for ages are about to shoot a film. Overwhelmed by the excitement and joy of creating together, they overlook the enormous risks looming ahead.On the fourth day of filming, problems crop up one after another, leaving the three at a loss. Zheng Yuan refuses to weaponize the expressions she holds dearest to her heart; Fang Chi’s tender heart may become a stumbling block on her path as an actress; meanwhile, Zhao Xin, a rookie producer, strives to safeguard their idealism amid this overwhelming chaos.When they return home exhausted, the three discover that their two kittens have vanished without a trace…
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.