
This touching comedy follows a poor soldier who is mistaken for Jesus Christ in a poor village. The film tells the story of a quick-witted and resourceful soldier who uses this misidentification to outsmart rich merchants, the mayor, and finally Father Ambrose, the local priest, who is known for being a glutton and womaniser.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
A summary of the films featured in this annual event taking place in Westchester.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.