Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

When an alien visitor discovers it can communicate with Earth’s oceans, it becomes the only intermediary between humanity and a vast marine intelligence whose patience with the human race is running out. Part survey, part discovery, the film explores a stretch of the wilderness that has largely slipped through the cracks of human attention, and in some places, bears the marks of human failure. The alien encounters a force both beautiful and terrifying, a voice as old as the planet itself, carrying memories, warnings and a power beyond human control. The film is a parable about nature on Earth by establishing an unidentified alien as interacting with the planet. By way of subtle messages the sea warns the alien that the existence of the planet is at stake. The alien discovers a controlling city but does not interfere with it and hopes that the sea will find a way to survive.
Not every silence is empty. Some are filled with things too heavy for words.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.