Kristen Stewart And Pablo Larraín Give Princess Diana Her ‘Let It Go’ Moment In 'Spencer'
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.

The film follows men over several years who reach the age their father was when he died. Among these men are Cyrill Renaud, the son of filmmaker Renaud Victor, who carries the weight of an interrupted work, and Cyril Casmèze, a zoomorphic acrobat who has made working with animality a mode of protection and survival. It is an exploration of grief over the long term, a story of fathers and sons, but also a story of mothers and sons. When the father is gone, the relationship to the mother changes. The film is constructed in two chapters. One that looks back on the brutality of the loss and the trauma, the other that opens up the future, the transformation, the rebirth, now that these men have outgrown their father and allow themselves to live. A third man, Loup, joins them. He too has lost his father and "being a father in turn" has been a way to move forward.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
‘Babylon’ is an exhilarating journey one has to brace themselves for