Lola, the modern and chaotic grandmother of Edgar and Robert, took care of them after the death of her daughter a few years ago. The three live in a modest house of the outskirts in Barcelona, and nothing makes them suspect that their quiet life is about to change dramatically. Lola has entered an advanced Alzheimer's process and children, who are not willing to separate them and end up in a host place, will take care of her with great ingenuity and overflowing fantasy, hiding her disease. For this they will have to face, like Robert in their athletics competitions, more than 3,000 obstacles.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
