Māhū—Reclaiming what’s rightfully theirs
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
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I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
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