‘Palmer’: Tearing Down Gender Stereotypes
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.

After they discover their childhood house is about to be demolished, two sisters return home for one last visit – and a chance to say goodbye. What does it mean to let go of the past, especially when our memories are tied to the intimacy of home and the objects within? With its wonderfully evocative cinematography and attention to the textures of the familiar, Maxine Zanoni’s gentle interrogation of nostalgia explores how our attachment to physical spaces can drive our yearning for closure.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
Set against the backdrop of the Jim Crow era, the film offers layered representation.