Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

A singing cowboy clears a boy accused of murder by finding the real killer.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.