“Selena: The Series,” a Small Disservice to Selena’s Legacy
'Selena: The Series' loses sight of the story's heart: Selena herself.

A historical investigation that examines how, at the end of the 16th century, the devilish acts of Marthe Brossier, who claimed to be possessed, led her contemporaries to refine their thinking on the relationship between religion and science, between God and the state. Four historians dissect this plot hatched by ultra-Catholics against King Henry IV at this juncture in history marked by the end of the Wars of Religion and the birth of the state in an unstable society where the difficult genesis of a new world was looming. Our world.
'Selena: The Series' loses sight of the story's heart: Selena herself.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.