Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

In the late fifties Iceland was isolated and backwards. Industrialisation had really just begun and the country was taking it’s first steps towards the ultra-modern society we know today. The US military set up a base next to the sleepy fishing village of Keflavik on the south coast turning everything on it’s head. The Americans outnumbered the locals three to one. Culturally it was as if a UFO had landed. The young people were more open to cultural influences than the older generation and this triggered a rock and roll explosion which then swept the rest of the country. It was the birth of Icelandic teenage culture. Because of Iceland’s location right between America and Europe the cultural influences mixed to produce an unique blend.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Wuthering Heights— What is the cost of love?
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.