“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

What happens when you take childhood friends turned Z-List celebrities, and lock them in a recording studio in the middle of nowhere with nothing but their instruments and insatiable ego's? You get LIVE SANKARAS IN YOUR AREA.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
An attempt to capture nostalgia that unfortunately just doesn’t work
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
‘Babylon’ is an exhilarating journey one has to brace themselves for