Victor has a nice life in Madrid with his partner, José. However, after returning to his childhood home in the mountains of Bulgaria for his grandfather's funeral, he decides to stay for the summer. While reconnecting with his father and the village way of life, he unexpectedly finds love in the form of Liuben, an 18-year-old Roma boy. Despite their differences, and the conflicts surrounding them, Victor and Liuben find refuge in each other, while a romance begins to take form.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
A man found himself stuck inside the passage to the subway exit on the way to work.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
