'Pain Hustlers' (2023): An Opioid Crisis
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.

Three hundred years after she fled the Witch Academy for love, Saxána has settled into a comfortable human life with her husband and daughter, until her curious little girl, Saxánka, uncovers her mother’s hidden magical past and is whisked away to the Fairy Realm. There, amid dwarfs, dragons, and mischievous spirits, Saxánka with her newfound fairy friends to unravel a tangle of enchanted dangers and stop the comic-book gangster Crashman from plunging the realm into ruin.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.