Little White Chicks... Big Black Monster Dicks 17 (2002)

The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it. 

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.