Mazie-Rosie Carden, a waif who pays her board by selling papers on the street, saves the life of starving musician Deal Hendrie by giving him her cherished "lucky dime." Meanwhile, her brother Ben, employed as a weigh-master by the West Coal Company, has been discharged on a trumped-up accusation by the company's manager, Samuel Winter, of falsifying weights.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
