A poor child, who does not know his parents, joins a caravan of puppeteers to escape from the house where it is received and try to find his mother. Although living in extreme poverty, the child has, however, something that helps you get ahead: his great voice. One day, when a producer heard her singing in the street, receives an invitation to go to television.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
