“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

On January 25, 1984, at Long Beach State Art Gallery, Lisa called this performance Graphite Woman, as she was coated in this substance, and she recreated her world championship routine for a small audience of art lovers. Accompanied by the Shakuhachi flute, behind a low wall of gold bricks, Lisa again demonstrates her ideas of the body as art. This is something she promoted in her work as she saw herself as an artist whose canvas was her whole body.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.