Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Lionella poster

Lionella 

Lionella is a name no one would give to their child where Magomed comes from. The problem is, being a second-hand refrigerator vendor in a remote mountain village, he is of too little authority to his son who has moved away to the city, started a life too different from that of his parents, to the extend that even a name that he chooses for his newborn is unacceptable for the people of his native village.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Lionella is a name no one would give to their child where Magomed comes from. The problem is, being a second-hand refrigerator vendor in a remote mountain village, he is of too little authority to his son who has moved away to the city, started a life too different from that of his parents, to the extend that even a name that he chooses for his newborn is unacceptable for the people of his native village.

Rating:
Genre:
Directed By:Sergey Borovkov
Written By:Maxim Matyunin
In Theaters:
Box Office:

Runtime:15 minutes
Studio:

Articles You May Like


The Thursday Murder Club: Sharp, Charming, Fun

At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.

Nilufer Ozmekik

Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger