Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Rich, beautiful and in love, Lance (Richard) and Lyra (Pops) are an ideal couple. The end of their blissful marriage begings when Lance, by accident, met Jill (Joyce). Ultra modern and extremely aggressive, Jill pursues Lance and she succeeds in no time. What was a one-night stand turns out to be an affair as Jill finds herself craving for more. Lance, despite his guilt, is drawn to the heat of the affair, and their sexual adventures become even more daring. But no secret can be kept forever. Lyra discovers their affair without their knowledge. Unlike most wronged wives, Lyra chooses to keep her rage, pretending that nothing is wrong. yet, despite her silence, the love triangle distorts their perspective and ultimately, it leads to a tragic death.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.