Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

Lee Jae-hyun, the protagonist of “Link”, has a sister who is in a coma. He spends his life wishing to see his sister come back to life however his hope eventually dies out. While grief stricken Lee meets an attractive girl, Su-jeong, through his trusted friend, Gu Seong-wu. Su-jeong and Jae-hyun not only build their friendship but they develop a link that let them share their five senses and even their thoughts. As the link gets stronger, Jae-hyun becomes ever more addicted to Su-jeong’s power. This infatuation with the link endangers Jae-hyun. Woody Han, the director, marks his debut for a full-length film with “Link.” Han shows how satisfying humans’ desires can be hazardous throughout the film. The artistic side was respected at this year’s Puchon International Fantastic Film Festival as the film was invited by the festival, which came to an end on Sunday. The film sold out all tickets during the festival period.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
This animated movie is based on the migration of birds from the north to the south.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.