“East of Eden”: Women Can Be Monsters Too, and It’s Time We Acknowledge It
Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.

Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.
Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.
This Agni Kai looks cool and is funny as well!
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.