I Feel The Weight of “The Weight”
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year

Lineage is a loop-based “orchestral” film performance for four 16mm projectors. Using as a point of departure Norman McLaren’s abstract animations in Lines Horizontal as well as reworked footage from two documentary portraits of McLaren in his prime and in his later life, the film explores how abstract marks made in a variety of ways—laser printing and etching, contact printing and hand-processing—result in strange and surprising sounds.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Intergenerational friendships and community can be so powerful, and this was a great example.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.