'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Lily and Rose are best friends and have been so forever. But when Holly comes along and captures Rose's attention with boys, bands, and fashion, Lily is presented with a choice: grow up or be left behind.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.