‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

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Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.