Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

In 1970s-era Japan, three children, Kazuma Kiryu, Akira Nishikiyama, and his younger sister, Yuko Nishikiyama, are raised together in Shintaro Kazama's Sunflower Orphanage. In the summer of 1980, Yumi Sawamura, a young girl whose parents were accidentally shot and killed during a gang's shootout, joins them in the orphanage. Following a yakuza tradition, the honorable Kazama secretly raises orphans whose parents he has directly or indirectly killed. In return, the children love him as a father and he eventually inducts the teenage Kiryu and Nishikiyama into the Dojima Family, a Tojo Clan affiliate of which he is a senior officer.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.