
College senior Intoy (Edgar Allan Guzman) is unwittingly fallen into a friend-with-benefits situation with his mysterious classmate Jenny (Mercedes Cabral). Jenny has a reputation for being promiscuous, and Intoy plays aloof to hide the fact that he’s fallen in love with her. Slowly, Jenny opens up to him as well, revealing the vulnerable center to her seemingly impervious façade. But poor, confused Intoy isn’t really equipped to deal with the feelings involved.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
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