Ligne Rouge :Jubillar , l'heure de la vérité 

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.

Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.