In Lights (Body), flashing lights in a busy nightclub are accompanied by the hypnotic dance beat "Don't Be Light (The Hacker Remix)," by the French duo Air. The ravers are out of sight, but specks of dust rising from their clothes and skin are visible in close-up shots of the beams of light. Like Tillmans's earliest photographs of nightclubs, the work presents the dance floor as a site of liberation and resistance, generated through experiments in representation and collective assembly. As Tillmans has noted, it is also "the venue for extreme beautiful abstraction." [Overview Courtesy of MoMA]
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
What happens to an inseparable bond when love for competing morphs into competing for love?
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
