'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

"A new born light enters the world, but slowly begins to adapt, to fit in, conditioned by expectations, until the light fades away slowly and it's too late to turn back to it's true self." Lights is a simple metaphor that visually examines all those feelings, dreams and possibilities that we unconsciously let go of during our life as we slowly adapt to what surrounds us. Step by step we leave behind our true selves, something that slowly fades away in the background, like a shadow we only half remember. When our time comes to move on, if we finally look back to what could have been, we may think "what if..."
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
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But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.