This is a film that captures the performance of the play "Isshogai" in 2017 by "Nijiro Mocha," a theater medium produced by actor Maruwaka Kaoru. Set in Osaka and Tokyo, the play depicts two stories that transcend time and space: the protagonist Mayu's high school days, when her happy life changes completely, and the life she follows after moving to Tokyo, all on the same stage, depicting what disabilities are, and what prejudice and discrimination are.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
