“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

In a building site, a worker agonizes, after an accident, and tells his son about the virtues of honest work, but he's not heard. Turned into a vagabond and having mean people as company, the youth decides to get arrested in order to find a solace against winter. When he finally decides to follow his father advice and get himself a job, he falls under the influence of a policeman, under the false accusation of robbery.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.