'Love, Victor' Season 3 Review: Disney+ Means More Disney Fluff
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.

Young, introverted New York attorney Jimmie Pendleton is notoriously shy around women. Instead, he spends much of his time embarking on wild escapades with his friend, Herbert Austin. To fund these adventures, Jimmie frequently wires his eccentric Uncle Tobias in Kansabraska (a fictionalized Midwestern location) for emergency cash. Chaos ensues when Jimmie becomes engaged to Herbert’s sister, Mary. Following the engagement, Uncle Tobias unexpectedly arrives from the West. Jimmie is forced into a frantic, comical scramble to maintain appearances and conceal his true, wilder lifestyle—along with his careless spending habits—from his visiting uncle and his new in-laws.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.