
The feature film "Life Outside of Pearl" is about a lower-middle class Haitian-American family assimilating into a new culture, while maintaining their ethnic identity. The family patriarch presents a proud exterior earning a living as a taxi cab driver trying to keep his adulterous affair, a secret. His wife is are of his indiscretions but chooses to deny her own needs to keep her home and family intact. Jean, the couple's teenage son is smart, but naively decides to postpone college to pursue dreams of opening a computer shop in the neighborhood. Jean uses illegal means to raise capital for the shop and he gets involved with less than savory friends. Jean's sister finds love with her new boyfriend only to have her romantic fairy tale life shattered by catching her father with another woman. Marco, the handsome family cousin is a local police officer trying to balance his life on the street with family involvement.
There's no hiding the horrors of war in this inspiring story of survival
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
This reboot of The Wonder Years is told from the lens of a Black man.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like