'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

A directorial effort from Ashley Cheung, a promising and up-and-coming scriptwriter. An excellent dramatic short film with the brilliant performance of Joman Chiang, the Queen of independent films, and Himmy Wong of Weeds on Fire. Nim Cheung is a senior counsellor of the Suicide Prevention Hotline. She is still suffering from the death of her little daughter. One day, she receives a phone call of a young man who is attempting suicide. She finds out that he is the one responsible for her daughter’s death. What will she do facing this dilemma, which may cause complete different stories to both of their lives?
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.