'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Il-gon is back in Korea after studying in the U.S. to find a bride to return with him, and asks his best friends, Tae-young and Sung-hoon, for help. When Il-gon finds the right woman, the other two friends' passions awaken, and they cannot help but find themselves drawn to her. Roto-scoping technique used.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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