Born out of every artist’s creative crisis, the search for the next topic, Hirobumi WATANABE presents his latest film, dealing with the question of what his film should be about. The director stages himself as he idles away his days, delivering endless monologs during car rides, sleeping on the floor at his grandma’s house, or philosophizing over video games and the FIFA World Cup.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
