'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

A strange ethnologist lands in Pernand-Vergelesses, a wine-producing village, to carry out a survey of its population. An easy-going and impertinent man, Tom Joad will then relentlessly criss-cross the village and meet all its inhabitants. Not only does he dwell upon questions of wine-making tradition as well as the ins and outs of village life, its fragile balance and what is in store for it, but also upon the imaginary, both personal and collective of the villagers. By doing so, the stranger who borrows his name from the Steinbeck character who won't accept fate will try to rebuild a now disappearing public space. The film tells the tale of his adventure.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.