The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

A fortune-teller reveals the Sultan that his daughter will get married to somebody poor, born on the same day with her. So, the Sultan gets all the baby boys born on the same day are killed and only Kadir is saved. Kadir and Leyla grow up together. Leyla wants to marry him but the Sultan refuses this idea. He orders Kadir to be killed, yet Kadir survives fatally wounded. Leyla finds Kadir's place where he is kept as a prisoner. As they escape they get caught. Leyla dies and Kadir who has lost her loved one goes to the desert with the image of Leyla alive in his heart.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.