Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Although in love with Virginia Philips, Lew Tyler refuses to be supported by his rich prospective father-in-law, causing her to break the engagement. Thus cast off by Virginia and insulted by her father, Tyler finds distraction in Jessie Winkler, an old friend; and through the efforts of Buzzy, a business partner, Lew and Jessie marry. Their marriage is unsuccessful, and Lew, haunted by the memory of Virginia, seeks forgetfulness in a liaison with Coleen Miles, a neighbor.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
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At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Falling in love with 'Rocketman" all over again.