Knives Out: Sharpest Writing of 2019?
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes

Jeremia Juunas Kirotaja has been fighting in Afghanistan; 21 years later he returns to Estonia to his father's funeral. He has converted to Islam and his only connection to his native land is the sound of his daughter Angel's crying that he heard a long time ago on the phone. Jeremia starts to search for his family. The daily life - if this can be called life in the first place - of the dusty and abandoned town is being run by women since men are almost gone. Nevertheless, the women seem to hope that Jeremia will be able to do something about it in order to remove the paralyzing feeling of emptiness.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.