Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Let's Play! poster

Let's Play! 

Misha, a cheerful and inexhaustible six-year-old prodigy, blows up a kindergarten as a result of another experiment. He is truly upset only by the lack of attention of his parents, who are on the verge of divorce. Right on New Year's Eve, Misha suddenly becomes the hero of a fantastic story: he is kidnapped. The hapless kidnappers expect to get a ransom for the boy, but they do not even suspect what kind of child fell into their hands. The tragicomic nature of the situation is complicated by the fact that another "mysterious force" enters the struggle for the boy, trying to "outsmart" and take advantage of his unusual abilities...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Misha, a cheerful and inexhaustible six-year-old prodigy, blows up a kindergarten as a result of another experiment. He is truly upset only by the lack of attention of his parents, who are on the verge of divorce. Right on New Year's Eve, Misha suddenly becomes the hero of a fantastic story: he is kidnapped. The hapless kidnappers expect to get a ransom for the boy, but they do not even suspect what kind of child fell into their hands. The tragicomic nature of the situation is complicated by the fact that another "mysterious force" enters the struggle for the boy, trying to "outsmart" and take advantage of his unusual abilities...

Rating:
Genre:Comedy, Family
Written By:
In Theaters:
Box Office:

Runtime:91 minutes
Studio:Ukrainian Media Group, 1+1 Production

Articles You May Like


'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger