Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Cowboy Tom Gallagher, escaping from a saloon fight with Black Carter and Thug Peters, rescues Little Joey and his dog--who have been sent "parcel post" to Dorothy Manning's Bar M Ranch by her sister--from an approaching train. Tom completes the delivery and is hired by Dorothy as foreman. There he finds Carter and Peters, who have been rustling Dorothy's cattle and stealing right and left from the Bar M. Peters buys up the mortgage and then kidnaps Dorothy when Tom goes away to get the money to pay it off. Tom effects her rescue with the aid of Little Joey and Bendy Mulligan, a rheumatic old cowpuncher. The mortgage is paid off, and Bendy's accidental discovery of oil while taking a mud bath solves Dorothy's financial problems. Dorothy and Tom wed.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
A South Korean romantic drama film that brings a strong first love story.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.