Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In a motel room on the Oregon Coast - mad scientist Lucy Green and a listless nitwit, Evan McCardle communicate with aliens using a powerful drug, a super-techno helmet, and a series of analog televisions. Evan soon learns, in order to save the Earth and humanity, he must stick his ding dong into an alien.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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