From first-time writer/director Justin Lomba comes a dark comedy about what happens when a young man finds himself in over his head and puts his future in the hands of all the wrong characters. Ian Lester (Jacob Sirof) is having a good week. His part-time job as a filmmaker is starting to gain momentum while his day job offers an opportunity for love. All of the pieces for success seem to be in place as Ian's agent Matthew Skinner (Nate Cohen) prepares a deal to set the box office ablaze. With a little help from outlandish local film critic Jane Muir (Glorinda Marie), his offbeat friends John (Scott Hastings) and Sabine (Elena Gardella), and an unusual homeless man (Viktor Vaughn), Ian's destiny comes into sharp focus.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
