Vicky and Her Mystery Dog Become Friends
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.

This documentary tells the tale of Buenos Aires lesbians, focusing on three personal stories. A former militant woman who now devotes her time to feminine soccer; a young woman who is active so no girl has to go through what she went through and a lesbian mother who recounts how hostile the laws are regarding the rights of lesbian women. In spite of the difficulties their characters go through, the stories have a lot of humour, some soccer and a tour of the city.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.