Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Kogo, a Japanese filmmaker, has come to spend a few days in Pantin with an old friend. He is avoiding work. An incorrect address, the Romainville weather tower, a symposium about failure in art, a woman in blue, and another in a fur hat will totally mess up his plans.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.