"Enola Holmes 3" Screws Up Its Main Character And The Worldbuilding
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.

Born with a facial deformity, 16-year-old Eugénie faces harassment from her classmates, most of all Sam, and only finds comfort in her faith. One day, Sam gets particularly brutal with her, and she is rescued by Father Mathieu, the new priest of the town's church. Father Mathieu immediately sees in her what could be a modern Martyr and wants to teach her the ways to sanctity. Made saint, Eugénie sees her confidence rising, and even Sam cannot help but notice it...
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Canvas illustrates the story of a grandfather who, after suffering the loss of his beloved, struggles to reclaim his love for painting.